| Storytelling | π·π·π·π· |
| Characters | π·π·π·π·π· |
| Acting | π·π·π·π·π· |
| Drama, Baby! | π·π·π·π· |
| Fun | π·π·π· |
| Humour | π· |
| Visuals | π·π·π·π·π· |
| Music and Sound | π·π·π·π·π· |
| Originality | π·π·π·π·π· |
| Entertainment value | π·π·π·π· |
| Production value | π·π·π·π·π· |
| Satisfaction | π·π·π·π· |
Mission: Impossible – Dead Reckoning Part One
Is Β«Mission Impossible β Dead Reckoning Part OneΒ» a perfect movie? What can I say? I think it is!
Even with a runtime of over two and a half hours and a dreaded Β«Part OneΒ» in the title the movie delivers throughout. The interesting question would be: Why do we still have to rely on Β«poorΒ» old Tom Cruise do deliver some solid, no-BS entertainment? Iβm not feeling like trying to answer that question here but again, after the sequel to Top Gun last year he (almost) singlehandedly brings back everything a movie fan trained in the eighties and nineties loves about films.
Without the need for any kind of nostalgic fan service the movie stands out with perfect pacing, solid storytelling, a bombastic classical score and β most importantly β breathtaking action even with some car chasing scenes on top β something Iβve learned to hate over the years (Iβm looking at you, Indy 5).
Good job! Great job! And β surprisingly β containing the funniest scene Iβve watched in years in an action film, nay, in a movie, full stop.
Go see it β no questions asked β even you, Corinne, no matter what you think about Tom Cruise. You thank me later.
| Storytelling | π·π·π·π·π· |
| Characters | π·π·π·π· |
| Acting | π·π·π·π· |
| Drama, Baby! | π·π·π·π· |
| Fun | π·π·π·π·π· |
| Humour | π·π·π·π·π· |
| Visuals | π·π·π·π·π· |
| Music and Sound | π·π·π·π·π· |
| Originality | π·π·π·π· |
| Entertainment value | π·π·π·π·π· |
| Production value | π·π·π·π·π· |
| Satisfaction | π·π·π·π·π· |
Indiana Jones and the Dial of Destiny
| Storytelling | π·π· |
| Characters | π·π· |
| Acting | π·π·π· |
| Drama, Baby! | π·π· |
| Fun | π·π·π· |
| Humour | π·π·π· |
| Visuals | π·π·π·π· |
| Music and Sound | π·π·π·π·π· |
| Originality | π·π· |
| Entertainment value | π·π·π· |
| Production value | π·π·π·π· |
| Satisfaction | π·π·π· |
The Flash
| Storytelling | π·π·π· |
| Characters | π·π·π· |
| Acting | π·π·π· |
| Drama, Baby! | π·π·π·π· |
| Fun | π·π·π·π·π· |
| Humour | π·π·π·π· |
| Visuals | π·π· |
| Music and Sound | π·π·π·π· |
| Originality | π·π·π·π· |
| Entertainment value | π·π·π·π· |
| Production value | π·π·π· |
| Satisfaction | π·π·π·π· |
Guardians of the Galaxy Vol. 3
| Storytelling | π·π·π·π· |
| Characters | π·π·π·π· |
| Acting | π·π·π·π· |
| Drama, Baby! | π·π·π·π· |
| Fun | π·π·π·π· |
| Humour | π·π·π·π· |
| Visuals | π·π·π·π· |
| Music and Sound | π·π·π·π· |
| Originality | π·π·π· |
| Entertainment value | π·π·π·π· |
| Production value | π·π·π·π·π· |
| Satisfaction | π·π·π·π· |
Die Kackwurstfabrik
Durch die provokative Titelgebung setzen Marja Baseler und Annemarie van den Brink die Messlatte enorm hoch an. Auch die ebenso minimalistisch anmutenden wie detailverliebten Illustrationen von Tjarko van der Pol scheren sich kaum um Erwartungshaltungsmanagement β oder aber zeugen von einem gesunden SelbstverstΓ€ndnis gegenΓΌber der eigenen QualitΓ€t.
GlΓΌcklicherweise zeigt sich schon auf den ersten paar Seiten, dass dieses Buch sΓ€mtliche Versprechen hΓ€lt und weitaus mehr zu bieten hat als Schock-Value. Manchmal trivial, manchmal lehrreich β Β«Die KackwurstfabrikΒ» versteht es, zu unterhalten.
Niemals aber verschliessen sich die Autorinnen vor den unangenehmen Fragen und ΓΌberraschen mit oft unerwarteten, manchmal ungemΓΌtlichen Antworten im Anhang.
Unser Essen hat verschiedene Farben. Warum ist Kacke trotzdem immer braun?
Β«Die KackwurstfabrikΒ» mag auf den Schultern von Klassikern des Genres wie Β«Vom kleinen Maulwurf, der wissen wollte, wer ihm auf den Kopf gemacht hatΒ» (Holzwarth & Erlbruch, 1989) oder Β«Der Gasthof zum Harten StuhlΒ» (BΓ©nΓ©dict, 2016) stehen, braucht aber den Vergleich nicht zu scheuen und beweist sich als eigenstΓ€ndiges, wichtiges Werk zeitgenΓΆssischer Buchkunst.
| Storytelling | π·π·π·π· |
| Characters | π·π·π· |
| Drama, Baby! | π·π·π· |
| Fun | π·π·π·π·π· |
| Humour | π·π·π·π·π· |
| Visuals | π·π·π·π· |
| Originality | π·π·π·π· |
| Entertainment value | π·π·π·π·π· |
| Production value | π·π·π·π· |
| Satisfaction | π·π·π·π·π· |
Ant-Man and the Wasp: Quantumania
“Mess Effect: Journey to the Center of Meh“
| Storytelling | π·π· |
| Characters | π·π·π· |
| Acting | π·π·π· |
| Drama, Baby! | π·π· |
| Fun | π·π· |
| Humour | π·π·π· |
| Visuals | π·π·π· |
| Music and Sound | π·π· |
| Originality | π·π·π· |
| Entertainment value | π·π· |
| Production value | π·π·π· |
| Satisfaction | π·π· |
Avatar: The Way of Water
Avatar: The way of water
Technical marvels abound
High frame rate, 3D wow
Avatar: The Way of Water is a highly anticipated sequel to the 2009 blockbuster hit Avatar. This film is a technical marvel, showcasing the latest advancements in filmmaking technology.
One of the most impressive aspects of this film is its high frame rate. This allows for a more immersive and realistic experience, as the action on screen appears more fluid and lifelike. The high frame rate also enhances the 3D effects, making them more effective and impactful.
The 3D in Avatar: The Way of Water is truly a sight to behold. The filmmakers use this technology to fully immerse the audience in the world of Pandora, creating a fully realized and believable alien world. The use of 3D also adds depth and dimension to the action scenes, making them more intense and exciting.
In addition to the technical achievements, Avatar: The Way of Water also features a strong and engaging story. The film continues the story of Jake Sully and his journey as a member of the Na’vi people, exploring themes of environmentalism and cultural understanding. The film also introduces new characters and storylines, adding complexity and depth to the world of Pandora.
Overall, Avatar: The Way of Water is a must-see film for any fan of the franchise or anyone interested in the latest advancements in filmmaking technology. The high frame rate and 3D effects truly enhance the viewing experience, making it a truly immersive and exciting cinematic experience.
You probably guessed it: The above review and haiku were generated by the Artificial Intelligence ChatGPT by OpenAIβ¦ wow, indeed! Here’s what I asked the bot:
Β«Write a 5 paragraph movie review for Avatar: The way of water (as a haiku) for the movie-blog www.rafenew.world underlining the technical achievements in filmmaking, high frame rate and 3d.Β»
| Storytelling | π·π·π·π· |
| Characters | π·π·π· |
| Acting | π·π·π·π· |
| Drama, Baby! | π·π·π· |
| Fun | π·π·π·π· |
| Humour | π·π· |
| Visuals | π·π·π·π·π· |
| Music and Sound | π·π·π·π·π· |
| Originality | π·π·π·π· |
| Entertainment value | π·π·π·π·π· |
| Production value | π·π·π·π·π· |
| Satisfaction | π·π·π·π· |
Black Panther: Wakanda Forever
| Storytelling | π·π· |
| Characters | π·π· |
| Acting | π·π·π· |
| Drama, Baby! | π·π· |
| Fun | π·π· |
| Humour | π· |
| Visuals | π·π·π· |
| Music and Sound | π·π·π·π·π· |
| Originality | π·π· |
| Entertainment value | π·π·π· |
| Production value | π·π·π·π· |
| Satisfaction | π·π·π· |
Thor: Love and Thunder
So many jokes, so few laughs β almost impressive.
| Storytelling | π· |
| Characters | π·π· |
| Acting | π·π·π·π· |
| Drama, Baby! | π·π·π· |
| Fun | π·π· |
| Humour | π·π·π· |
| Visuals | π·π·π·π· |
| Music and Sound | π·π·π· |
| Originality | π· |
| Entertainment value | π·π· |
| Production value | π·π·π·π· |
| Satisfaction | π·π· |

