| Storytelling | π·π·π·π· |
| Characters | π·π·π·π· |
| Acting | π·π·π·π·π· |
| Drama, Baby! | π·π·π·π· |
| Fun | π·π·π·π· |
| Humour | π· |
| Visuals | π·π·π·π· |
| Music and Sound | π·π·π· |
| Originality | π·π·π· |
| Entertainment value | π·π·π·π·π· |
| Production value | π·π·π·π· |
| Satisfaction | π·π·π·π· |
John Wick 1-3
| Storytelling | π·π· |
| Characters | π·π·π·π· |
| Acting | π·π·π· |
| Drama, Baby! | π·π·π· |
| Fun | π·π·π·π·π· |
| Humour | π·π·π· |
| Visuals | π·π·π·π· |
| Music and Sound | π·π·π· |
| Originality | π·π·π·π· |
| Entertainment value | π·π·π·π·π· |
| Production value | π·π·π· |
| Satisfaction | π·π·π·π·π· |
Westworld Season 1 & 2
Season 1
| Storytelling | π·π·π·π·π· |
| Characters | π·π·π·π· |
| Acting | π·π·π·π· |
| Drama, Baby! | π·π·π·π· |
| Fun | π·π·π·π· |
| Humour | π·π· |
| Visuals | π·π·π· |
| Music and Sound | π·π·π· |
| Originality | π·π·π·π· |
| Entertainment value | π·π·π·π·π· |
| Production value | π·π·π· |
| Satisfaction | π·π·π·π· |
Season 2
| Storytelling | π·π· |
| Characters | π·π·π· |
| Acting | π·π·π· |
| Drama, Baby! | π·π· |
| Fun | π· |
| Humour | π·π· |
| Visuals | π·π·π· |
| Music and Sound | π·π·π· |
| Originality | π· |
| Entertainment value | π·π· |
| Production value | π·π·π· |
| Satisfaction | π·π· |
The Boys Season 1
| Storytelling | π·π·π· |
| Characters | π·π·π· |
| Acting | π·π· |
| Drama, Baby! | π·π· |
| Fun | π·π·π· |
| Humour | π·π·π·π· |
| Visuals | π·π·π· |
| Music and Sound | π·π·π· |
| Originality | π·π· |
| Entertainment value | π·π·π· |
| Production value | π·π·π· |
| Satisfaction | π·π·π· |
Mr. Robot Seasons 1-4
| Storytelling | π·π·π·π·π· |
| Characters | π·π·π·π·π· |
| Acting | π·π·π·π·π· |
| Drama, Baby! | π·π·π·π·π· |
| Fun | π·π·π·π·π· |
| Humour | π·π· |
| Visuals | π·π·π·π·π· |
| Music and Sound | π·π·π·π·π· |
| Originality | π·π·π·π· |
| Entertainment value | π·π·π·π·π· |
| Production value | π·π·π·π· |
| Satisfaction | π·π·π·π·π· |
Find my first Mr. Robot review here.
Watchmen Season 1
| Storytelling | π·π·π·π· |
| Characters | π·π·π·π· |
| Acting | π·π·π· |
| Drama, Baby! | π·π·π·π· |
| Fun | π·π·π·π· |
| Humour | π·π· |
| Visuals | π·π·π·π· |
| Music and Sound | π·π·π·π· |
| Originality | π·π·π· |
| Entertainment value | π·π·π·π·π· |
| Production value | π·π·π·π· |
| Satisfaction | π·π·π·π· |
Terminator: Dark Fate
When Arnold and some nice callbacks to the originals save the movie in this highly forgettable retcon-adventure, Β«Terminator: Dark FateΒ» proves that pure gender-swapping alone in an otherwise paint-by-the-numbers action flick doesn’t make a women-empowering film, let alone a satisfying cinematic experience.
Badass Linda Hamilton was cool, though!
And I’d like to see more of Mackenzie Davis in a tank top.
Wow, this almost progressive text turned chauvinistic on me so fast I couldn’t even spell out the obvious Β«TARminatorΒ» pun.
| Storytelling | π· |
| Characters | π· |
| Acting | π·π·π· |
| Drama, Baby! | π·π· |
| Fun | π·π·π· |
| Humour | π·π·π· |
| Visuals | π·π·π· |
| Music and Sound | π·π· |
| Originality | π· |
| Entertainment value | π·π· |
| Production value | π·π·π·π· |
| Satisfaction | π·π· |
Joker
Feel-Good MOVIE OF THE YEAR!
| Storytelling | π€‘π€‘π€‘π€‘π€‘ |
| Characters | π€‘π€‘π€‘π€‘π€‘ |
| Acting | π€‘π€‘π€‘π€‘π€‘ |
| Drama, Baby! | π€‘π€‘π€‘π€‘π€‘ |
| Fun | π€‘π€‘π€‘π€‘ |
| Humour | π€‘π€‘ |
| Visuals | π€‘π€‘π€‘π€‘π€‘ |
| Music and Sound | π€‘π€‘π€‘π€‘ |
| Originality | π€‘π€‘π€‘π€‘π€‘ |
| Entertainment value | π€‘π€‘π€‘π€‘π€‘ |
| Production value | π€‘π€‘π€‘π€‘ |
| Satisfaction | π€‘π€‘π€‘π€‘π€‘ |
It Chapter Two
Itβ¦
Itβsβ¦
Itβs nice.
But itβs way too long.
Thatβs what she said. π
| Storytelling | π·π·π·π· |
| Characters | π·π·π· |
| Acting | π·π·π· |
| Drama, Baby! | π·π· |
| Fun | π·π·π·π· |
| Humour | π·π·π·π· |
| Visuals | π·π·π·π· |
| Music and Sound | π·π·π· |
| Originality | π·π· |
| Entertainment value | π·π·π·π· |
| Production value | π·π·π·π· |
| Satisfaction | π·π·π· |
Ad Astra
Β«Ad Astra’sΒ» slow pacing and existential themes probably won’t be for everybody. But almost exactly 20 years after Β«Fight ClubΒ», Brad Pitt once again hits me where it really hurts β for completely different reasons:
The focus on life has shifted, as they say. The now middle-aged Rafeman, who β once tempted by Tyler Durden’s nihilism β now understands the suffering of Β«Ad Astra’sΒ» protagonist’s fear of loss, isolation and regret just all too well.
For what it is β namely an ethereal Β«Sci-FiΒ» movie β Β«Ad AstraΒ» succeeds. Surely not as gut-wrenching, spectacular nor intense as Β«Project MayhemΒ» β but as effective and relevant a movie that’s aiming for the stars bound by its own limitations can be: Trying to be the next Β«GravityΒ» (with George Clooney) or Β«InterstellarΒ» (without George Clooney) but ending up feeling more like the slightly disappointing Β«SolarisΒ» (also with George Clooney).
But, as they also say: Β«Per aspera ad astraΒ»*
| Storytelling | π·π·π·π· |
| Characters | π·π·π·π·π· |
| Acting | π·π·π·π· |
| Drama, Baby! | π·π·π·π· |
| Fun | π·π·π· |
| Humour | β |
| Visuals | π·π·π·π· |
| Music and Sound | π·π·π·π· |
| Originality | π·π·π·π· |
| Entertainment value | π·π·π·π· |
| Production value | π·π·π·π· |
| Satisfaction | π·π·π·π· |

*) Β«Through hardships to the starsΒ». Just to get that quote in there, too.
